Uzbek literature
Uzbek literature Literature and art of Uzbekistan is called one of the bright and wonderful pages of the history of the world artistic culture. Along with Egypt and Mesopotamia, Greece and Rome, India and China, Central Asia laid the foundations of human civilization. The emergence of a cultural phenomenon in Uzbekistan is mainly due to its geographical Mesopotamia, where agricultural centers have been location in the Central Asian formed since ancient times. Uzbek literature history The most ancient Uzbek oral literary works are over 200 epic poems, many legends, epic songs performed by folk poets - bakhshi. Heroes of folklore struggle with hostile forces evil spirits, dragons. The oldest cycle of epic poems Ker-ogly and the poem Alpamysh were written around the 10th century. Alpamysh went in the folklore of all the peoples of Central Asia. It talks about the courage of folk heroes, courage and hatred of enemies; it contains many witty aphorisms, vivid metaphors, colorful descriptions. Another popular work from the cycle Ker-ogly is a poem about the transforming power of love of Ravshan-Hon. Many times later it was processed by folk poets. The satirical novels of Nasreddin Afandi, in which the khans and bais are derided, are popular. In the oral Uzbek literature, people of different nationalities - Chinese, Iranian, Turkmen, Negro, etc., female images are devoid of sentimentality. In the XI century, many works are created, based on religious norms of Islamic morality. These are the instructive poems "Kugadau Bilig" ("Knowledge of Grace" or "Science of Happiness") by Yusuf Khas Hadjib Balasaguni, the poem "Khibat al-Khakaik" ("Gift of Truths") by Ahmad Yugnaki.
Prepeared by Imam Bukhari Tashkent Islamic Institute , Department of languages , English teacher Kadirov Farrukh
“Colombo Times”: Implementation of the Third Renaissance Idea becomes a state policy of Uzbekistan
The Sri Lankan online publication Colombo Times has published an analytical article titled “Uzbekistan’s New Renaissance: Reviving a Golden Past with the Tools of Tomorrow”, reports Dunyo IA.
Publication, prepared by renowned Sri Lankan journalist Fazan Nawaz, focuses on the reforms carried out in Uzbekistan over the past decade under the leadership of President Shavkat Mirziyoyev, aimed at building the New Uzbekistan and implementing the idea of the Third Renaissance, as well as their significant outcomes.
“At the very heart of Central Asia, a quiet yet far-reaching revolution in its significance is taking place. This struggle is being waged not with weapons, but through manuscripts, museums and microchips. Under the leadership of President Shavkat Mirziyoyev, Uzbekistan is seeking to revive the glory of the medieval “Golden Age”, when such cities as Samarkand and Bukhara were leading centers of global science, poetry, and philosophy, author writes. - The distinctive feature of this process lies in the fact that Uzbekistan is actively using artificial intelligence and digital technologies to preserve, restore, and promote cultural heritage spanning more than a thousand years of history”.
Publication also highlights Uzbekistan’s rich cultural and historical heritage and the reforms being implemented to preserve it. It notes that this land has been the cradle of many outstanding scholars and thinkers throughout human history.
“Leader of Uzbekistan frequently refers to this historical heritage, emphasizing that Mirzo Ulugbek was not only a great scholar but also a statesman for whom science was the highest value. The current process of renewal is referred to by the Head of State as the ‘Third Renaissance’, viewing it as a nationwide project aimed at restoring Uzbekistan’s role as a center of science, education, and culture. According to historians, this term denotes a new stage of revival following two great periods of flourishing that had previously existed in the region”, article notes.
Article emphasizes that an important feature of Uzbekistan’s approach, distinguishing it from other countries, is the use of artificial intelligence not only as a tool for economic development but also as a means of protecting cultural heritage.
Fazan Nawaz concludes his article by stating that only time will show whether the “Third Renaissance” will be able to fully achieve its objectives. However, it is already clear today which path Uzbekistan is pursuing.
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