Uzbek literature Literature and art of Uzbekistan is called one of the bright and wonderful pages of the history of the world artistic culture. Along with Egypt and Mesopotamia, Greece and Rome, India and China, Central Asia laid the foundations of human civilization. The emergence of a cultural phenomenon in Uzbekistan is mainly due to its geographical Mesopotamia, where agricultural centers have been location in the Central Asian formed since ancient times. Uzbek literature history The most ancient Uzbek oral literary works are over 200 epic poems, many legends, epic songs performed by folk poets - bakhshi. Heroes of folklore struggle with hostile forces evil spirits, dragons. The oldest cycle of epic poems Ker-ogly and the poem Alpamysh were written around the 10th century. Alpamysh went in the folklore of all the peoples of Central Asia. It talks about the courage of folk heroes, courage and hatred of enemies; it contains many witty aphorisms, vivid metaphors, colorful descriptions. Another popular work from the cycle Ker-ogly is a poem about the transforming power of love of Ravshan-Hon. Many times later it was processed by folk poets. The satirical novels of Nasreddin Afandi, in which the khans and bais are derided, are popular. In the oral Uzbek literature, people of different nationalities - Chinese, Iranian, Turkmen, Negro, etc., female images are devoid of sentimentality. In the XI century, many works are created, based on religious norms of Islamic morality. These are the instructive poems "Kugadau Bilig" ("Knowledge of Grace" or "Science of Happiness") by Yusuf Khas Hadjib Balasaguni, the poem "Khibat al-Khakaik" ("Gift of Truths") by Ahmad Yugnaki.
Prepeared by Imam Bukhari Tashkent Islamic Institute , Department of languages , English teacher Kadirov Farrukh
At the end of the 14th century, the correspondence between the great commander Amir Timur and King Charles VI of France, along with the memoirs of the Vatican envoy Ivan Grinlon about Timur’s court, are presented at the Center for Islamic Civilization in Uzbekistan. These documents represent not only a unique chapter in the history of diplomacy but also invaluable sources that introduce our nation’s scientific and cultural heritage to the world.
In the “Second Renaissance” section of the Center’s museum, early Islamic sources, medieval scholars’ manuscripts, and rare documents from the Timurid era are brought together in one space.
In the exhibition dedicated to the era of Amir Timur, every aspect of the sovereign’s activity state administration, domestic policy, and international relations is presented on a scholarly basis. Among the displayed materials are decrees, letters, and royal correspondences written in the Arabic script. One of them is a decree granted by Amir Timur to the descendants of the sayyids of Khwarazm, reflecting the great ruler’s profound respect for scholars.
“Each era has its own laws: over time, the number of artifacts decreases. Yet the survival of original sources from the period of Amir Timur is a great fortune for history”, says Sanjar G‘ulomov, Senior Research Fellow at the Institute of Oriental Studies, Academy of Sciences of Uzbekistan.
The most captivating part of the exhibition features the correspondence between Amir Timur, King Charles VI of France, and the Vatican. Written in 1402, these letters are among the earliest examples in the history of world diplomacy. Accompanying them is the Vatican envoy Ivan Grinlon’s work “Memoirs on the Court of Amir Timur”, which provides detailed information about court life, state governance, and international relations.
These documents show that Amir Timur was not only a great military leader but also a statesman with exceptional diplomatic skill. He established active political relations with France, the Vatican, China, India, and several other nations.
It should be noted that many of the exhibits displayed in the museum are original, centuries-old artifacts that have been carefully preserved. As previously reported, the correspondence between Amir Timur and King Charles VI of France was expected to arrive in Uzbekistan, and now these historic documents have rightfully taken their place in the museum’s collection. Moreover, with the help of modern technology, visitors can view the manuscripts digitally or explore them interactively.