Uzbek literature Literature and art of Uzbekistan is called one of the bright and wonderful pages of the history of the world artistic culture. Along with Egypt and Mesopotamia, Greece and Rome, India and China, Central Asia laid the foundations of human civilization. The emergence of a cultural phenomenon in Uzbekistan is mainly due to its geographical Mesopotamia, where agricultural centers have been location in the Central Asian formed since ancient times. Uzbek literature history The most ancient Uzbek oral literary works are over 200 epic poems, many legends, epic songs performed by folk poets - bakhshi. Heroes of folklore struggle with hostile forces evil spirits, dragons. The oldest cycle of epic poems Ker-ogly and the poem Alpamysh were written around the 10th century. Alpamysh went in the folklore of all the peoples of Central Asia. It talks about the courage of folk heroes, courage and hatred of enemies; it contains many witty aphorisms, vivid metaphors, colorful descriptions. Another popular work from the cycle Ker-ogly is a poem about the transforming power of love of Ravshan-Hon. Many times later it was processed by folk poets. The satirical novels of Nasreddin Afandi, in which the khans and bais are derided, are popular. In the oral Uzbek literature, people of different nationalities - Chinese, Iranian, Turkmen, Negro, etc., female images are devoid of sentimentality. In the XI century, many works are created, based on religious norms of Islamic morality. These are the instructive poems "Kugadau Bilig" ("Knowledge of Grace" or "Science of Happiness") by Yusuf Khas Hadjib Balasaguni, the poem "Khibat al-Khakaik" ("Gift of Truths") by Ahmad Yugnaki.
Prepeared by Imam Bukhari Tashkent Islamic Institute , Department of languages , English teacher Kadirov Farrukh
The third plenary session of the International Media Forum “Islamic Civilization: A New Perspective – New Discoveries” was held today at the Center for Islamic Civilization in Uzbekistan under the theme “Heritage That Unites Centuries: The Spiritual Meanings of Islamic Civilization,” reports Dunyo IA.
The session featured international projects dedicated to Quranic heritage, ancient manuscripts, Islamic calligraphy, documentary filmmaking and the use of artificial intelligence in the study of historical sources.
In particular, participants were presented with the projects “114 Qurans: 114 Masterpieces of Islamic World Calligraphy,” “The Kattalangar Quran: Truth and Legends,” “The 99 Names of Allah: Knowing the Almighty Through His Beautiful Names,” and “Artificial Intelligence – A Digital Key to Reading Ancient Manuscripts,” as well as the film “The Mosque” from the “Pages of a Shared Historical Heritage” project.
Particular attention was devoted to the role of the media in overcoming stereotypes and Islamophobia. The international discussion brought together representatives of the Organization of Islamic Cooperation and leading media outlets from Algeria, Oman, Pakistan, Saudi Arabia, Iraq, Mali and Uzbekistan.
The session concluded with the announcement of a World Calligraphers Competition to create a unique Quran bringing together the traditions of different countries and schools of Islamic calligraphy.
The Center for Islamic Civilization in Uzbekistan serves as the main venue of the International Media Forum. The event brings together around 300 representatives of the media and expert communities from nearly 50 countries, including heads of media companies, news agencies and television channels, journalists, producers, scholars and creative industry professionals.