Much efforts are being done to deliver the true and pure essense of Islam in our country. One of such actions was done in Pskent district last year when Usmankhan Alimov, the Chairman of Muslim Board of Uzbekistan and Khayrulla Turmatov, Chief Imam of Tashkent region put initial bricks to build the mosque “Usmat Ota”.
The capacity of the newly built mosque is 250-300 people and in the nearest future the construction of library, museum and parking lot are expected to be raised in an adjoining area.
In his speech Muftiy Usmonkhon Alimov congratulated muslims with this historical event. Later the guests were invited for a lunch organized by Akromov, District Mayor.
Another new mosque has been opened in Kuksaroy neighborhood, Okhangaron district, Tashkent region. The mosque “Islom nuri (Light of Islam)” is located just on the side of the highway of Kamchik mountain highway pass.
The opening ceremony was led by Muftiy Usmankhan Alimov, who in his speech expressed warm wishes to worshippers and made genuine prayers.
Press Service,
Muslim Board of Uzbekistan
This was the result of the state policy pursued by President Shavkat Mirziyoyev aimed at preserving, studying and popularizing the national cultural heritage.


The UNESCO World Heritage List includes: the Jemchug Residential Building, the State Museum of History of Uzbekistan, the Peoples’ Friendship Palace, the State Museum of Art of Uzbekistan, the Tashkent State Circus building, the Central Exhibition Hall of the Academy of Arts of Uzbekistan, the National Palace of Cinema of Uzbekistan, the Chorsu market, the Cosmonauts metro station, and the Sun Heliocomplex.
These monuments represent a harmonious blend of modernist ideas and Central Asian architectural traditions.


Gayane Umerova, Chairman of the Uzbekistan Art and Culture Development Foundation and Chairman of the National Commission for UNESCO, stressed that the inclusion of these sites in the World Heritage List returns an important part of the modern architectural history of Uzbekistan to the international context of the heritage of the 20th century and the world modernist movement, and also imposes a long-term responsibility to preserve these buildings with maximum professional care, to ensure their integral role in the life of the city and to pass on knowledge about them to future generations.
B. Khudoyberdiyev, UzA