(20) The statement of the Prophet I know Allah تعالیٰ better, than all of you do.
حَدَّثَنَا مُحَمَّدُ بْنُ سَلَامٍ، قَالَ: أَخْبَرَنَا عَبْدَةُ، عَنْ هِشَامٍ، عَنْ أَبِيهِ، عَنْ عَائِشَةَ، قَالَتْ: "كَانَ رَسُولُ اللَّهِ صَلَّى اللَّهُ عَلَيْهِ وَسَلَّمَ إِذَا أَمَرَهُمْ، أَمَرَهُمْ مِنَ الْأَعْمَالِ بِمَا يُطِيقُونَ، قَالُوا: إِنَّا لَسْنَا كَهَيْئَتِكَ يَا رَسُولَ اللَّهِ، إِنَّ اللَّهَ قَدْ غَفَرَ لَكَ مَا تَقَدَّمَ مِنْ ذَنْبِكَ وَمَا تَأَخَّرَ، فَيَغْضَبُ حَتَّى يُعْرَفَ الْغَضَبُ فِي وَجْهِهِ، ثُمَّ يَقُولُ: إِنَّ أَتْقَاكُمْ وَأَعْلَمَكُمْ بِاللَّهِ أَنَا".
Sahih hadith: Narrated 'Aisha: Whenever Allah's Apostle ordered the Muslims to do something, he used to order them deeds which were easy for them to do, (according to their strength and endurance). They said, O Allah's Apostle! We are not like you. Allah has forgiven your past and future sins. So Allah's Apostle became angry and it was apparent on his face. He said, I am the most Allah fearing, and know Allah better than all of you do.
Reference: Sahih al-Bukhari 1: Chapter 2, Hadith 20.
This was the result of the state policy pursued by President Shavkat Mirziyoyev aimed at preserving, studying and popularizing the national cultural heritage.


The UNESCO World Heritage List includes: the Jemchug Residential Building, the State Museum of History of Uzbekistan, the Peoples’ Friendship Palace, the State Museum of Art of Uzbekistan, the Tashkent State Circus building, the Central Exhibition Hall of the Academy of Arts of Uzbekistan, the National Palace of Cinema of Uzbekistan, the Chorsu market, the Cosmonauts metro station, and the Sun Heliocomplex.
These monuments represent a harmonious blend of modernist ideas and Central Asian architectural traditions.


Gayane Umerova, Chairman of the Uzbekistan Art and Culture Development Foundation and Chairman of the National Commission for UNESCO, stressed that the inclusion of these sites in the World Heritage List returns an important part of the modern architectural history of Uzbekistan to the international context of the heritage of the 20th century and the world modernist movement, and also imposes a long-term responsibility to preserve these buildings with maximum professional care, to ensure their integral role in the life of the city and to pass on knowledge about them to future generations.
B. Khudoyberdiyev, UzA