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16 October, 2026   |   5 Jumādá al-ūlá, 1448

Tashkent city
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16 October, 2026, 5 Jumādá al-ūlá, 1448

A unique “instrument of intellect” created in Samarkand in the 18th century at the Center for Islamic Civilization!

03.10.2025   40813   2 min.
A unique “instrument of intellect” created in Samarkand in the 18th century at the Center for Islamic Civilization!

Uzbekistan’s first auction house — Art Vernissage — donates a unique artifact to the Center for Islamic Civilization

During the international expert forum “The Legacy of the Great Past — the Basis of an Enlightened Future” held in Tashkent, the country’s first auction house, Art Vernissage, presented the Center for Islamic Civilization in Uzbekistan with a rare 18th-century artifact a brass astrolabe created in Samarkand in 1711.

This 21-cm scientific instrument is equipped with interchangeable plates, allowing its use across different geographical latitudes. Thanks to this feature, the astrolabe was considered a multifunctional scientific device of its time.

For reference: in the Islamic world, the astrolabe was not merely an astronomical tool but a symbol that combined scientific progress, practical application, religious devotion, and artistic mastery. It served as a reliable guide not only for astronomers but also for travelers, sailors, and merchants.

Great scholars such as Al-Khwarizmi, Al-Fargani, and Al-Biruni described in detail the structure and use of the astrolabe in their works, further highlighting its prominent role in Islamic civilization.

“This perfect instrument, especially between the 15th and 18th centuries, was recognized as one of the most advanced devices in the world. We hope this astrolabe, now part of the Center’s exhibition, will reflect the profound knowledge and craftsmanship of Islamic scholars and leave a lasting impression on all visitors”, said Shavkat Sultanov, Director of the Art Vernissage auction house.

This donation has further enriched the Center’s exhibition and strengthened the country’s intellectual environment and cultural dialogue.

As a reminder: at the international forum held at the Center on September 26–27 this year, more than 100 experts scholars and researchers, heads of museums and libraries, and heritage specialists from over 20 countries took part. Representatives of prestigious institutions such as IRCICA, ICESCO, TURKSOY, the World Islamic League, Oxford University, the Russian Academy of Sciences, and Christie’s contributed with lectures and analyses.

The international community highly praised President Shavkat Mirziyoyev’s initiatives to preserve the humanistic essence of Islam and to foster intercultural dialogue.

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Popular Malaysian Artist Presents New Album Filmed in Uzbekistan in Kuala Lumpur

08.09.2026   108863   2 min.
Popular Malaysian Artist Presents New Album Filmed in Uzbekistan in Kuala Lumpur

A presentation of the new music album “Salawat. The Beloved” by Hafiz Hamidun, a popular Malaysian singer, composer, and producer whose work enjoys a wide following among Muslim audiences across Southeast Asia, was held in Kuala Lumpur. The album was filmed in Uzbekistan, reports Dunyo IA correspondent.

In August this year, Hafiz Hamidun and his creative team visited Uzbekistan, where they filmed a series of music videos in Tashkent, Samarkand, and Bukhara Region. The filming took place at sites showcasing the country’s rich historical, cultural, and tourism heritage.

Representatives of leading Malaysian electronic and print media outlets attended the album’s premiere. Around 100 posts and media reports about the presentation of the project filmed in Uzbekistan were subsequently published on social media platforms.

The event also featured a photo exhibition by Hafiz Hamidun dedicated to Uzbekistan’s rich Islamic, historical, and cultural heritage.

According to the artist, the new album attracted the attention of more than 1.4 million viewers within a short period. This figure highlights the potential of modern media and creative projects to promote Uzbekistan’s cultural and tourism assets among audiences across Southeast Asia.

The project was implemented with the support of the Embassy of Uzbekistan and the Tourism Committee. Its objective was to raise awareness among Southeast Asian audiences of Uzbekistan’s reforms in the religious and educational spheres, as well as the country’s modern potential for pilgrimage tourism.

Hafiz Hamidun’s project represents not only an example of cooperation in music and the arts, but also a notable instrument of Uzbekistan’s cultural and tourism diplomacy in its relations with Malaysia and the ASEAN countries.