The Republic of Uzbekistan is proudly represented by its national pavilion at the "Riyadh International Book Fair 2025", taking place in the capital of the Kingdom of Saudi Arabia, reports Dunyo IA correspondent.
The event is organized with the support of the Ministry of Culture of the Republic of Uzbekistan, the Embassy of the Republic of Uzbekistan in Riyadh, Alisher Navoi National Library, the Center of Islamic Civilization, Tashkent State University of Oriental Studies, and leading publishing houses of the country.
The pavilion showcases both contemporary and classical publications, scholarly works, and illustrated albums dedicated to the history, culture, and spiritual heritage of the Republic of Uzbekistan. Of particular interest to visitors is a replica of the renowned Ottoman Quran preserved in Tashkent, as well as rare facsimiles of ancient manuscripts and archival documents.
In addition to the book exhibition, visitors have the opportunity to experience the richness of Uzbek culture and folk art: traditional suzani embroidery and national jewelry are on display, alongside works by miniature artists and artisans, ceramics, and traditional clothing. The pavilion also features calligraphy art, offers tastings of Uzbek dried fruits and natural sweets, and hosts an exhibition of folk crafts and decorative-applied arts.
Uzbekistan pavilion attracts significant attention from visitors. It is frequented not only by general attendees of the fair but also by entrepreneurs who take the opportunity to explore the country’s cultural exhibits while simultaneously engaging in business negotiations aimed at enhancing trade, economic, and investment cooperation between Uzbekistan and the Kingdom of Saudi Arabia.
At the end of the 14th century, the correspondence between the great commander Amir Timur and King Charles VI of France, along with the memoirs of the Vatican envoy Ivan Grinlon about Timur’s court, are presented at the Center for Islamic Civilization in Uzbekistan. These documents represent not only a unique chapter in the history of diplomacy but also invaluable sources that introduce our nation’s scientific and cultural heritage to the world.
In the “Second Renaissance” section of the Center’s museum, early Islamic sources, medieval scholars’ manuscripts, and rare documents from the Timurid era are brought together in one space.
In the exhibition dedicated to the era of Amir Timur, every aspect of the sovereign’s activity state administration, domestic policy, and international relations is presented on a scholarly basis. Among the displayed materials are decrees, letters, and royal correspondences written in the Arabic script. One of them is a decree granted by Amir Timur to the descendants of the sayyids of Khwarazm, reflecting the great ruler’s profound respect for scholars.
“Each era has its own laws: over time, the number of artifacts decreases. Yet the survival of original sources from the period of Amir Timur is a great fortune for history”, says Sanjar G‘ulomov, Senior Research Fellow at the Institute of Oriental Studies, Academy of Sciences of Uzbekistan.
The most captivating part of the exhibition features the correspondence between Amir Timur, King Charles VI of France, and the Vatican. Written in 1402, these letters are among the earliest examples in the history of world diplomacy. Accompanying them is the Vatican envoy Ivan Grinlon’s work “Memoirs on the Court of Amir Timur”, which provides detailed information about court life, state governance, and international relations.
These documents show that Amir Timur was not only a great military leader but also a statesman with exceptional diplomatic skill. He established active political relations with France, the Vatican, China, India, and several other nations.
It should be noted that many of the exhibits displayed in the museum are original, centuries-old artifacts that have been carefully preserved. As previously reported, the correspondence between Amir Timur and King Charles VI of France was expected to arrive in Uzbekistan, and now these historic documents have rightfully taken their place in the museum’s collection. Moreover, with the help of modern technology, visitors can view the manuscripts digitally or explore them interactively.